The Cantor’s contribution to the campus-wide celebration of the 200th anniversary of the publication of Mary Shelley’s horror novel Frankenstein; or, The Modern Prometheus reveals ways artists have represented the body, life, and death, as well as the boundary separating humanity from technology.

IMAGE: Beth Van Hoesen (U.S.A., 1926–2010), Stanford (Arnautoff Class), 1945. Graphite and ink on paper. Gift of the Estate of Beth Van Hoesen